While we might not have the immediate satisfaction of selling our pieces in-person every single time we release a new collection of work, we are presented with an opportunity to make our pottery more accessible by giving those that want it, the opportunity to buy online, and in turn, maybe even taking some of the pressure off of the pressure we put on ourselves for the 3x yearly events.

While I’ve been familiar with nasturtiums my whole life, it wasn’t until I moved back to the pacific northwest that I fell head over heals for them

I didn’t feel that my expectations were on the studio tour itself, more but the process of creating pottery, and why it felt so important to me to re-establish that relationship

I’m sitting at my office desk, slowly packing for a flight I have later this evening, having just read a few of the comments a letter I wrote to Kona, our beloved dog that died in August